tag:blogger.com,1999:blog-7772076459957792702024-02-06T22:18:10.460-08:00Coral Penelope LambertRecent Work + International ActivitiesCoral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-777207645995779270.post-76515505444942042092018-12-01T08:22:00.001-08:002018-12-01T11:18:52.801-08:00Magic Broom Series<div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: left;">
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<span style="color: #eeeeee; font-family: "times new roman"; font-size: xx-small;"><img border="0" data-original-height="300" data-original-width="699" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGvvid2qdyfuH1ySql0AsL0kEe7xy_1yHz8mreGoI65Uc3T3nDZmNZd2cSszs4IFAUMmjEPFdMcOdHYcYDFkBzYCu1t8xVu3Wg0Cf8SjVGFO21GmUsPaOrjTGOHK64fU8kSMBNemF6eEkQ/s400/brrom.png" style="margin-left: auto; margin-right: auto;" width="400" /></span></div>
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<span style="color: #eeeeee; font-size: x-small;">'Teardrop of Earth's Memory' Cast Iron, Volcanic Rock, New Mexico. 2003</span></div>
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<span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;">
<span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;">Magically, a <span style="mso-bidi-font-weight: bold;">broom</span>
is a wand. In dreams, <span style="mso-bidi-font-weight: bold;">brooms</span> and
brushes can have a similar <span style="mso-bidi-font-weight: bold;">meaning</span>
in that they clear a <span style="mso-bidi-font-weight: bold;">spiritual</span>
space of negativity in preparation for changes to be made. The idea of clearing
or cleansing is as important on a psychological level as it is on the <span style="mso-bidi-font-weight: bold;">spiritual.</span><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #eeeeee; font-size: x-small;"></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<span style="color: #eeeeee; font-size: x-small;"><img border="0" data-original-height="1600" data-original-width="1043" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ZqtpoF1O6hL7sOdXdQEssMwJWNMij_vRnG9B7C16sIgVaBojheM8IcZAgp447hAlg0buJFazdkNLrWI7w3b7IL5jTQwhy9WWTkfBB_em3_jrp1wm083Krkb4AJgkpgN__-9MIkFPSzUI/s400/broom1.jpg" style="margin-left: auto; margin-right: auto;" width="260" /></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-size: x-small;">'Katrina Broom' Cast Iron, New Orleans 2001</span></td></tr>
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<span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; font-size: large;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #222222; font-family: "calibri";"><span style="font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"><span style="font-size: large;"><span style="color: #cccccc;"><span style="color: #cccccc;">I became fascinated with the common broom when working late in my studio one
night. It was a full moon and the broom just leaning there in the corner took on a metaphysical
presence. This led to the investigation of taking an ordinary object through the
transformative process of casting in metal. I am investigating what it is that imbues an inanimate object with a hidden presence. Iron, copper and aluminum all have their own associations to magic as well, each cast broom tells a story and holds a memory.<span style="color: #eeeeee;"><span style="font-size: x-small;"><span style="color: #999999;"><span style="color: #eeeeee; font-size: x-small;"><span style="color: #eeeeee;"><span style="font-size: x-small;"><span style="color: #999999;"><span style="color: #eeeeee; font-size: x-small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: black; font-family: "times new roman"; font-size: small;"><span style="color: #cccccc; font-size: large;"><span style="color: #222222; font-family: "calibri" , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><span style="color: #cccccc; 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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-size: x-small;">'Brush Broom' Cast Iron, Museum of Steel Sculpture, UK 2005</span><br />
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<span style="color: #eeeeee; font-size: x-small;">'Urigeller' Cast Iron, Minneapolis 2001 </span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-size: x-small;">'Chinese Broom' Cast Copper, New Mexico 2007</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-size: x-small;">'Chinese Broom with Seed' Cast Copper, New Mexico 2007</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-size: x-small;">'Wand' Cast Iron and Copper, 2009</span></td></tr>
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<span style="color: #eeeeee; font-size: x-small;">'Knotted Wand' Cast Iron, 2009</span></div>
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<span style="color: #eeeeee; font-size: x-small;">'Magic Broom Series' : 2001 - Present </span></div>
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Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com0tag:blogger.com,1999:blog-777207645995779270.post-45518556256528008602018-10-20T19:28:00.005-07:002018-10-21T15:00:17.219-07:00Flowers of Elysium : Berlin Novilla<div class="separator" style="clear: both; text-align: center;">
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<b style="mso-bidi-font-weight: normal;"><span style="line-height: 115%;"><span style="font-family: "calibri"; font-size: large;">Berlin Elysium at Novilla</span></span></b></div>
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<span style="line-height: 115%;"><span style="font-family: "calibri";"><span style="font-size: large;"><span lang="EN" style="font-family: "calibri" , sans-serif; font-size: 11pt;">Elysium</span><span lang="EN" style="font-family: "calibri" , sans-serif; font-size: 11pt;"> is a concept of the</span><span lang="EN" style="font-family: "calibri" , sans-serif; font-size: 11pt;"> afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults. Initially admission was reserved for mortals related to the gods and other heroes. Later, it expanded to include those chosen by the gods, the righteous, and the heroic, where they would remain after death, to live a blessed and happy life. Dreams of Elysium live for a brief moment.</span></span></span></span></div>
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<span style="font-family: "calibri"; font-size: large;">NOVILLA is a center for art, creativity and encounter : it is a project of Moving Poets Berlin at the Hasselwerder Villa in Berlin Schoneweide on the bankl of the River Spree. The Hasselwerder Villa was built around 1907 for Richard and Elsbeth Lehmann. After expropriation and the murder of the Lehmann Family in 1942, the villa was the Health Department of the National Socialists and then After World Wa II until 1989 it was predominantly Wehrkreiskommando of the National Peoples Army.</span></div>
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<span style="font-family: "calibri";"><span style="font-size: large;"><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-size: large;"><span style="font-size: x-large;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: medium;">‘Flowers
of Elysium’</span></b> </span></span></span></span><span style="font-family: "calibri";"><span style="font-size: x-large;">by </span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-family: "calibri";"><span style="font-size: x-large;">Coral
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-family: "calibri"; font-size: large;">The ‘Flowers of Elysium; are based on rare and endangered Ghost Orchids. Images of Ghost Orchids were scanned via photogrammetry so that the patterns for the molds could be carved digitally on a CNC machine. Using the ritual act of an iron pour with furnace, fire, air and molten iron they have been breathed back into existence for a brief spell. Glowing red hot with fierce intensity they are raised up and planted in the earth, they have weight and permanence; they are magma held up on beautiful handmade stainless steel stems, like Agni would have. Once cooled there remains an artifact that appears prehistoric. The flowers show a combination of the controlled digital mark created by the computer and the wild marks left by fire and molten metal.</span></span></div>
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<strong><span style="font-size: large;">Special Thanks to MoBe, Berlin and Glaser Schlosserei, Basel</span></strong></div>
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<a href="https://movingpoets.org/concrete5/index.php/novilla"><span style="font-size: large;">https://movingpoets.org/concrete5/index.php/novilla</span></a></div>
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Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com0tag:blogger.com,1999:blog-777207645995779270.post-42869430673729170752014-10-22T09:12:00.001-07:002018-10-20T09:34:04.393-07:00Volcano Furnace Earthwork ITALY<br />
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<span style="font-size: large;"><span style="color: black;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4DKjx_I-U0ZVY1NX7-7uv76DJ9OZon4url3drBVcfY0taPY6ABqTAj-23eEMdiShpHl5XBm_xR9HQBjcskmSMtz-vT_1MCRDpz_UFWuwfzsHBXXMGCCtlU57nO_CGlH7O0yPrbb9284bL/s1600/IMG_4553.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4DKjx_I-U0ZVY1NX7-7uv76DJ9OZon4url3drBVcfY0taPY6ABqTAj-23eEMdiShpHl5XBm_xR9HQBjcskmSMtz-vT_1MCRDpz_UFWuwfzsHBXXMGCCtlU57nO_CGlH7O0yPrbb9284bL/s1600/IMG_4553.JPG" width="240" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghCuTPrO9MJ3zIz9VVp9WFilJOYwbWV-irZ1Q5-dPrAJ4cdGGTRGJvK12QWqaeRm9OqqjeRkQ086V1pdIb0OWhiT6VlBeWqEhiEjlYGAvJEqPZy9gYea5MkOxkqCJ7EF4RtIoz-1JitddH/s1600/IMG_4554.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghCuTPrO9MJ3zIz9VVp9WFilJOYwbWV-irZ1Q5-dPrAJ4cdGGTRGJvK12QWqaeRm9OqqjeRkQ086V1pdIb0OWhiT6VlBeWqEhiEjlYGAvJEqPZy9gYea5MkOxkqCJ7EF4RtIoz-1JitddH/s1600/IMG_4554.JPG" width="320" /></a></span></span></div>
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<span style="font-size: large;">Fire Iron Earthwork at Spoeri Sculpture Park in Italy will be a variation of the 'Volcano Furance' in Pedvale Sculpture Park in Latvia. We will be building a new furnace 'Lady C' built in collaboration with Blacksmith Andreas Glaser in Basel Switzerland for the Earthwork. The Fire Iron Earthwork was operated for the annual opening of the Sculpture Park over Easter 2015 accompanied with a unique sound work by Paul Higham and the 'Flight of the Phoenix' performance by Cynthia Handel, Jenny Hager and Suzanne Roewer. </span> </div>
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<span style="font-size: large;"> Whilst in Latvia the Volcano Furnace Earthwork was scanned on location to create a 3d model. Printed in 400 abs plastic.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQbQosFgNFG6HfgK4yYjAltVWm9nZNbnvulWpBpGE4pW2hDV32FHyh633uJzTYUqS2xdPkkIxYgkdt7yEBM3ej6YX12c4E5k1HF5kKpsEeKWRD6mEBefL4iRer2gXv7wv-9JV5_qZoNAPL/s1600/VolcanoVirtualtop.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQbQosFgNFG6HfgK4yYjAltVWm9nZNbnvulWpBpGE4pW2hDV32FHyh633uJzTYUqS2xdPkkIxYgkdt7yEBM3ej6YX12c4E5k1HF5kKpsEeKWRD6mEBefL4iRer2gXv7wv-9JV5_qZoNAPL/s1600/VolcanoVirtualtop.JPG" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwWiLHQ4iDpCBRDUNNjwkRjjCTYYoAFyGyK92PooUnuu-x-08KZ3DLEKvSEEfvXRRHo5HBujEDae25CpFLcYQita93PuAYePAofQK-dF3OQ0X0p1n2apcIiOQyZ4mFAi170l209zXrTmHd/s1600/VolcanoRP.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwWiLHQ4iDpCBRDUNNjwkRjjCTYYoAFyGyK92PooUnuu-x-08KZ3DLEKvSEEfvXRRHo5HBujEDae25CpFLcYQita93PuAYePAofQK-dF3OQ0X0p1n2apcIiOQyZ4mFAi170l209zXrTmHd/s1600/VolcanoRP.JPG" width="400" /></a></div>
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<a href="http://www.danielspoerri.org/englisch/home.htm" target="_blank">Spoerri Sculpture Garden</a><br />
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Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com0tag:blogger.com,1999:blog-777207645995779270.post-89947840151652376412014-09-29T18:57:00.000-07:002018-10-20T09:34:34.049-07:00'HayBarrels : After Monet'<div style="text-align: center;">
<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">'HayBarrels: After Monet' an ongoing series of work.</span></span></div>
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<img border="0" height="381" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga7-YmPSEwfJploEcsHcRVHyduF2neM-yzPwj1yf6V7KN5DEtbAL8uzkxF3eFIQEUBH1M-ukLeslUTPqblLKj7zyVvdUz1wKCoN-gjYMlX1VRnpgWPv6h5pK-hUFADgMF3Oig-SP9lvuQg/s1600/haybarrelspelham2.JPG" width="400" /></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Growing up
in urban London and attending Central School of Art, Lambert would frequent the National Museum where there are several of
Claude Monets ‘Haystack’ paintings in the collection. She would study and stand
in front of them slightly mesmerized, as they
still seemed to be constantly changing in the light even though she knew she was looking
at a static object. To her they manifest a magical effervescence which is an
element she strives to capture in her own work.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="117" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_77d0tzR6SbZwt0vq3pzdin6pDq_l6x__AzwO6tb7UXFSH87ljoVhsGTq86MINFoXeR5QpDqA2RO5nbrUHtqTdVpNOmzIEdHuwm7c6blQHU84WiZc7nZYNs9zLUQw3jk1kxv5-PmpI6nk/s1600/MonetGrainstacks_Snow_Effect.jpg" width="200" /> <img border="0" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNKeJ7GrN4TnoUsXLnRcpUyLFF3ycu-Di5Eu70DA_zpWkJZ11BlgAARKrVvfHm4cONSkiRCiHlKX1g21RpkUAUwXaACiDRi2v63Eyugt4slIwyurbgge3OkJtdO24hyzXe0Q0ouhioWZ43/s1600/monet_0275_allart_biz_haystacks_at_giverny_the_evening_sun_1888.jpg" width="200" /> </span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Now living
in rural New York the pastoral scene returned to her in a much different context, especially in the fall driving through the surrounding farmlands. Although hay bales remain a romantic symbol of
pastoralism and agrarian life this work references issues such as oil in
the soil and storage of toxic waste in the landscape. </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">'HayBarrels' as seen at Saratoga Train Station as part of Saratoga Springs Outdoor Sculpture Exhibition</span></span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeEzaoEpeguuhLYi1NJeYIS5jADjNBzx95h2mx9tZFkKJnjv0PAy3uR6L4tAAXF1L7QfvwMd2SZz1sjEQ_20NOdTsEmoBGWKOKClbXFOaNThVvjvv5061oGR6OkHd5c3rI3hdsCvqZ_ic8/s1600/HayBarrels15.JPG" width="400" /> </span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Lambert's interest
is in our relationship of how things exists, where things come from and the
human obsession with speeding up the work of nature to make things better and faster. She uses the iconic
55 gal drum as a component of ‘HayBarrels
: After Monet’ , the very same drum that is used to dispose of toxic waste.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">Single 'HayBarrel: After Monet'</span></span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">For the
pastoral element she obtained a large round haybale from a local farmer and kept
it in the studio over a period of several weeks taking molds as the haybale
deteriorated. Deliberately choosing to cast them in Aluminum because this relatively new space age metal does not rust, it glistens. It is a
material that will not change in itself, it is also very sensitive to reflecting
the light of different times of the day: an ode to Monet.</span></span> <span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></div>
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<tr><td style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6W3G3UoQIWPuoZ8LQg4hsNmwih1reS1NPzn3fLwEf-WNYD7lt4x0gl3M6K82qt3KvNFwx50PK0NSrfxiHi-alLfKVRxESOCGOpo2TUqP_pEsiy9A69DNFwETZ_i0HIgxzMyFTb1r-FHSe/s1600/IMG_4992.JPG" style="margin-left: auto; margin-right: auto;" width="640" /></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">Detail of Haybale texture in cast aluminum : cast by Coral Lambert at the National Casting Center Foundry, Alfred, NY</span></span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Monet would work on several canvas’s at once as
at differing times of the day and in various seasons haystacks absorb the light
from diverse parts of the color <span style="color: windowtext; text-decoration: none;">spectrum</span>. As a result, the residual light that is reflected
off of the haystacks is seen as ever-changing, and manifests in distinctive
coloring. In ‘HayBarrels’ the silver
aluminum acts as a mirror to its environment.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">Coral Lambert working on the 'HayBarrels' at Salem Art Works, NY</span></span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">Molding the Haybale at the National Casting Center Foundry, Alfred, NY</span></span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">Proposal for 'HayBarrels at StormKing Sculpture Park, New York (digital print)</span></span></span></td></tr>
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<tr><td style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_VaCWa4ncVcG30LrqJHhSKPMzs2g8ARuiyO4Q2GvO0e2ChAApwfRKLqyiltQSj0WHWRmKZ8RyW7uyzLBmLTAp8BUGhRHCTiUhPnlYIbEOu9cPWfkf8mvrJUsS8tKVsubF52TNn7KQfSxE/s1600/HayBarrelsProposal.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_VaCWa4ncVcG30LrqJHhSKPMzs2g8ARuiyO4Q2GvO0e2ChAApwfRKLqyiltQSj0WHWRmKZ8RyW7uyzLBmLTAp8BUGhRHCTiUhPnlYIbEOu9cPWfkf8mvrJUsS8tKVsubF52TNn7KQfSxE/s1600/HayBarrelsProposal.JPG" width="320" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">'HayBarrels' Stacked version (collage)</span></span></span></td></tr>
</tbody></table>
<div style="text-align: center;">
<div style="text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;">Looking through the window out onto the Courtyard at Pelham Art Center, NYC</td></tr>
</tbody></table>
<article class="post-65550 post type-post status-publish format-standard has-post-thumbnail hentry category-press-releases tag-art tag-free tag-pelham-art-center tag-public-art tag-sculpture tag-westchester" id="post-65550"><div class="entry-content">
<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span><br />
<br /></div>
</article><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXOlZoxAx2KsbrX4lspjIwlSeBpGAb5lU69mDzz6piUs_BTe0xo_w0bYa5-pOZiF1Ew0RbrWX-fUFI36bJynG7ZXwg-h7SJ1NLUWqIKWHlki5dR_ZIESQ6YS6m45sSSqsx7QE5tgntk5W_/s1600/haybarrelspelham1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="492" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXOlZoxAx2KsbrX4lspjIwlSeBpGAb5lU69mDzz6piUs_BTe0xo_w0bYa5-pOZiF1Ew0RbrWX-fUFI36bJynG7ZXwg-h7SJ1NLUWqIKWHlki5dR_ZIESQ6YS6m45sSSqsx7QE5tgntk5W_/s1600/haybarrelspelham1.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stacked and Strapped 'Haybarrels: After Monet' 2014<br />
<span style="font-family: "arial"; font-size: large;">'HayBarells : After Monet' : Six Stack Version as above is permanently installed as part of the Jackson Union Sculpture Trail in Jackson, TN.</span><br />
<span style="font-family: "arial"; font-size: large;"><br /></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW1Vjigvg9bW4qmDa0Dl_S0T-Ftm7PbkKxJf4fBAFvfj1C_l4Jn9HGr_ohHR-1OT_VpqNxmD1PBAHAZiuvOYuCgXlNn8AHpL0EkUL6LqpHfJ9fcmAc3hG89N3iL6izgA9NALnnMVdn2h53/s1600/IMG_4241%255B1%255D.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW1Vjigvg9bW4qmDa0Dl_S0T-Ftm7PbkKxJf4fBAFvfj1C_l4Jn9HGr_ohHR-1OT_VpqNxmD1PBAHAZiuvOYuCgXlNn8AHpL0EkUL6LqpHfJ9fcmAc3hG89N3iL6izgA9NALnnMVdn2h53/s320/IMG_4241%255B1%255D.JPG" width="240" /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ZQ9cwD4xCV7-o2gxvLoXPMbs2nhdHUWaB_dATbaJLrLpI0n0I5HFSLEjtOymag2PdkxHSi5Oyrn5g2OYHXtw6gaCizq0GH9zqrTaw7PZ98SGJmMFHAlwrkt0Ky1GXv_T-oDBFUWS-q1s/s1600/IMG_4243%255B1%255D.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ZQ9cwD4xCV7-o2gxvLoXPMbs2nhdHUWaB_dATbaJLrLpI0n0I5HFSLEjtOymag2PdkxHSi5Oyrn5g2OYHXtw6gaCizq0GH9zqrTaw7PZ98SGJmMFHAlwrkt0Ky1GXv_T-oDBFUWS-q1s/s320/IMG_4243%255B1%255D.JPG" width="240" /></a></a></div>
<br />
<br />
<span style="font-family: "arial"; font-size: large;">The Maquette is on a more domestic scale and gives a cheeky nod to Warhol's soupcans. It is currently on show and available for purchase at FooLPRoof Gallery, Rhino Arts District, Denver.</span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span style="font-family: "cambria" , "serif";"> </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;">The 'Volcano Furnace' erupted
on 'JANI' the last day of Midsummer's June 23rd 2014 at Pedvale Sculpture Park as part of the 7th International Conference
on Contemporary Cast Iron Art, Latvia.</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7bOs5eOrWA9YmSkxpwtYfQTKZjuOwFCHAB257GTJfOg4oZlL0pntUM059OMub8SvKW5cFX6xu39KuH7FV9av5k2FPtBRCGUmOTcKrViBbMps5YoCsYZCWVSHqzrSgVYRYkLyEiPvNIJT/s1600/Tapping+Iron+through+the+Volcano+Tunnels+photocreditLauraFeldberga.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7bOs5eOrWA9YmSkxpwtYfQTKZjuOwFCHAB257GTJfOg4oZlL0pntUM059OMub8SvKW5cFX6xu39KuH7FV9av5k2FPtBRCGUmOTcKrViBbMps5YoCsYZCWVSHqzrSgVYRYkLyEiPvNIJT/s1600/Tapping+Iron+through+the+Volcano+Tunnels+photocreditLauraFeldberga.jpg" height="420" width="640" /></a></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><br /></span>
<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;">The<b> 'Volcano Furnace : Fire + Iron Earthwork'</b> is a 13ft high earthwork and
functioning iron furnace embracing the spirit of land and celebrating forces of
nature.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;">Built primarily of earth, clay, stone and wood, a conscientious effort was
made by the artist Coral Lambert to use appropriate technology and local materials. Construction
of the interior of the furnace and earth moving with bulldozers began on site
at Pedvale in early June. Approximately ten tons of earth and one ton of clay
was used along with reclaimed steel and iron. The ‘Volcano Furnace’ was fired up
on the midsummers eve of ‘Jani’. It was ritually charged with coke and air
producing molten iron at temperatures up to 2700 Fahrenheit. As the air
bellowed, the Volcano was tapped three times freeing the Iron to flow like lava
out of three tunnels cut out of the earthen mound. The iron flowed into open
face molds cut into the moss covered Granite boulders that were sourced from a
nearby ancient woodland. Speeding up the work of nature like crystals that have
been form over eons, the slabs of iron cooled to form diamond shaped platforms.
The slabs of diamond shaped iron will remain in the rock as an artifact of the
event. </span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS9qw6ytUtoMMLPCierAByTzJuqSsqAY7lDgHuFW2A3nrfE4wLY2JcbK-ew6Rl-Pp60f3Cu-pdN0tiai-QpEKoSrR9oDVsjPjgfUBogKQ8DNpzZGbtQHSuNvzKKT5HtoyudVyxuCuCLkU/s1600/IMG_4598.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS9qw6ytUtoMMLPCierAByTzJuqSsqAY7lDgHuFW2A3nrfE4wLY2JcbK-ew6Rl-Pp60f3Cu-pdN0tiai-QpEKoSrR9oDVsjPjgfUBogKQ8DNpzZGbtQHSuNvzKKT5HtoyudVyxuCuCLkU/s1600/IMG_4598.JPG" height="424" width="640" /></a></div>
</div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;">Here
you see Coral Lambert making the first tap of iron near the 'Tree of Dawn'
about to ignite: it is a symbol of renewal and the coming of the new
sun after midsummers, the time is about midnight, the performance ran
for about an hour and a half during the darkest hours of the magical
night.</span></div>
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<span style="font-size: large;"><br /></span>
<br />
<div class="separator" style="clear: both;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0YG_YB5xDuhPoiOiKtfcRUSJ3324o64MsZQRIOJIcmgMMWI1dPbF2ihekq8EbHCdfx_frdUnRFi7dPHtlcAYH1rSNAP0Vouf4liX110V7hGgmXxwEBC4YwXoKgcJe3qCZDsNcU5eiV3Ac/s1600/DSC_2260.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0YG_YB5xDuhPoiOiKtfcRUSJ3324o64MsZQRIOJIcmgMMWI1dPbF2ihekq8EbHCdfx_frdUnRFi7dPHtlcAYH1rSNAP0Vouf4liX110V7hGgmXxwEBC4YwXoKgcJe3qCZDsNcU5eiV3Ac/s1600/DSC_2260.JPG" height="204" width="320" /></a></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl2MxyiWaJpBr_GTC8ZHk_-rOkJi0EkgMyAkGf5o-lPKGcrdC3F8YYhBx4YzGEoFEDiC0Hm9UMAsLWP0MlSr46FoFKdVfzYf92woeyy9sBJS4T1rTB7oy6pxM22NGtyEsGNXmiEu-7jERx/s1600/Firing+the+Volcano+Furnace+photodrecitHaleyJenelik.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl2MxyiWaJpBr_GTC8ZHk_-rOkJi0EkgMyAkGf5o-lPKGcrdC3F8YYhBx4YzGEoFEDiC0Hm9UMAsLWP0MlSr46FoFKdVfzYf92woeyy9sBJS4T1rTB7oy6pxM22NGtyEsGNXmiEu-7jERx/s1600/Firing+the+Volcano+Furnace+photodrecitHaleyJenelik.JPG" height="320" width="211" /></a></div>
<div>
<span style="font-size: large;"> <span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;">The Volcano Furnace tapped out 200# of molten iron three
times out of seperate tap holes into three large carved garnite
boulders. The Earth Mound Furnace and Boulders will remain as an
earthwork for visitors to Pedvale Sculpture Park to enjoy for years to
come.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;">Each tap of the Volcano Furnace Fire + Iron Earthwork
provided a collaborative platform for a choreographed series of performances
and ritual
honoring the elements of dawn, sun, fire and iron, ultimately a reflection of
earth’s creative process.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<div class="separator" style="clear: both;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCa6Tj1FA7UUuLbt4AlD35fE2z9BAd37hXNLFKLX6VkQMX9Tn4fpzNn0MOFNtpFlCY9BnNusFCrooq9yPalnare6KkjGJu7j2AbbzJjwtZjCb9YkKAWgYwE3Z1jwggGVudxZGP61skLqKP/s1600/03_PHOENIX_Susanne_Roewer_s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCa6Tj1FA7UUuLbt4AlD35fE2z9BAd37hXNLFKLX6VkQMX9Tn4fpzNn0MOFNtpFlCY9BnNusFCrooq9yPalnare6KkjGJu7j2AbbzJjwtZjCb9YkKAWgYwE3Z1jwggGVudxZGP61skLqKP/s1600/03_PHOENIX_Susanne_Roewer_s.jpg" height="361" width="640" /></a></div>
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<div style="text-align: center;">
<br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><b>'Tree of Dawn'</b> by Danielle Jensen, (Canada) : accompanied by Lily Montgomery and Daniel Totten.</span></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><b>'Forget Me Not Garden'</b> planting by The Alzheimer's Glass and Iron: Rosemarie Oakman, Haley Jelinek and Elise Betrus. </span></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><b>'Flight of the Phoenix' </b>by <span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888">Jenny K. Hager-Vickery, <span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777">Susanne Roewer, (Germany) <span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Cynthia Handel and Andreas Glaser (Switzerland). </span></span></span></span></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Musical accompaniment for the evening event was performed by Sarah Clover on vocals and Jeff Kalstrom on Bodiddly.</span></span></span></span></div>
<div style="text-align: center;">
<div class="" style="clear: both;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888" style="font-size: small;"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Coral
Lambert was assisted by Ronda Phipps in the building and running of the
Volcano Furnace as well as Alfred Students from the National Casting Center Foundry: Erik Nilson, Michelle
Kweicen, Hannah Schilsky, Ripley Nichols, Becca Flis, Rose Oakman, Haley Jenelik,
Elise Betrus, Dan Totten + Lily Montgomery.</span></span></span></span></div>
</div>
<div style="text-align: center;">
<div class="separator" style="clear: both;">
<span style="font-size: large;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359"> </span></span></span></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqN8N2k_OiergNjLhBpscDblsKvfHXAb4NMqAIZGVeACObCwKO52JNGBv4UEbediH_tyouWDfvU6ksa2BHT7cEpb7orzNtt1UAAe9brcsxvKK43KhieuHadynOW-zXgzTHqaeXVFLxg9op/s1600/vol.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqN8N2k_OiergNjLhBpscDblsKvfHXAb4NMqAIZGVeACObCwKO52JNGBv4UEbediH_tyouWDfvU6ksa2BHT7cEpb7orzNtt1UAAe9brcsxvKK43KhieuHadynOW-zXgzTHqaeXVFLxg9op/s1600/vol.jpg" height="200" width="150" /></a><span style="font-size: large;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359"><br /></span></span></span></span></span></div>
</div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Special thanks to:</span></span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359"><br /> The 7th ICCCIA<br /> Pedvāle Open-Air Art Museum<br /> Ojars Arvids Feldbergs<br /> </span></span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Alfred University's School of Art and Design<br /> The National Casting Center Foundry @ Alfred<br /> The Women's Leadership Center </span></span></span></span></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Naomi Winston Scholarship Award</span></span></span></span></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span class="entity _586o" data-fulltext="Jenny K. Hager-Vickery" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Jenny K. Hager-Vickery" data-type="ent:user" data-uid="507956888"><span class="entity _586o" data-fulltext="Susanne Roewer" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Susanne Roewer" data-type="ent:user" data-uid="540478777"><span class="entity _586o" data-fulltext="Cynthia Handel" data-group="all" data-icon="null" data-select="group" data-si="true" data-text="Cynthia Handel" data-type="ent:user" data-uid="744118359">Photo credits: Kristen Williams. Laura Feldsberga, Haley Jenelik and Gerhard Haug</span></span></span></span></div>
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<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2hWr0SATB-hnzS9vAX-Qt1QdsqdMHdf70-AKJpVFGzvKIAtIiVWYq5mORoUmCgoxqHIvN3EK0qr1QKxFO3_S0iQECevN5tRNQkMb9Y6edV_CODhJFl20HztKmK-TLnp6wjCvl2csw75xv/s1600/IMG_4022.JPG" height="266" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Working Maquette of Volcano Furnace: Fire Earth Work</td></tr>
</tbody></table>
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<![endif]--><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>'Volcano Furnace : <i>A Fire + Iron Earthwork</i>' </b>by Coral Penelope Lambert will be built and operated during Midsummers as part of the 7<sup>th</sup> International
Conference on Contemporary Cast Iron Art held
at the Pedvāle Open-Air Art Museum in Latvia from June 19th through
June 24th 2014.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Join us for the <b>'Blast Off</b>' on the eve of June 23rd including fire performances:</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>'Volcano Furnace Firing' </b>designed and operated by Coral Penelope Lambert with the assistance of the sparkling<i><b> 'Iron Fire Spirits'</b> </i>Students from Alfred University National Casting Center Foundry : Ronda Phipps, Daniel Totten, Ripley Nichols, Hannah Schilsky, Michelle Kwiecien, Lily Montgomery and Erik Nilson.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><b>'Tree of the Dawn'</b></i> by Danielle Jenson. <i><b> </b></i></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i> <b>'Alzheimer's Iron Garden'</b> </i></span></span></b></i><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">by Rose Oakman, Haley Jenlinek and Elise Betrus. </span></span><i><b> </b></i></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><b>'Flight of the Phoenix'</b></i> by Cynthia Handel, Suzzanne Roewer, Jenny Hager and Andreas Glaser.<i> </i></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><b> </b></i></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The
theme for the 7th ICCCIA is <span style="color: red;"><b><i>Coal</i></b><b><i>•</i></b><b><i>essence:
Iron Forming Art, Ritual and Landscape</i></b>,</span> at the
Pedvāle Open-Air Art Museum, reflecting the significance of the exchange and
cultural coalescence, while emphasizing the integration of iron sculpture into
the landscape and the realization of iron-based ritual performance art projects
during the Jaņi 'midsummer' celebration. </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHsX27ATwra7yP-ZPJOZRRHA2ChyqZMFJlHVYZZG8D8xXgPb6socP9v7AN4MJS7TQ9vBiFuGe9GgYuCsoKzBhWyUv1-SmKGlJoYNLh5vZpuRhOyYKyK9bUvgBk24Bro1kRz6P0ATl1zaLt/s1600/IMG_4005.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHsX27ATwra7yP-ZPJOZRRHA2ChyqZMFJlHVYZZG8D8xXgPb6socP9v7AN4MJS7TQ9vBiFuGe9GgYuCsoKzBhWyUv1-SmKGlJoYNLh5vZpuRhOyYKyK9bUvgBk24Bro1kRz6P0ATl1zaLt/s1600/IMG_4005.JPG" height="265" width="400" /></a></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: red;"><i><b>LANDSCAPE</b></i> </span>: The<b> 'Volcano Furnace'</b> is a 13ft earthwork and functioning iron furnace embracing the spirit of land and celebrating forces of nature. Built primarily of earth, clay, stone and wood I will be making a conscience effort to use appropriate technology and local materials. Construction of the interior of the furnace and earth moving will begin on site at Pedvale in early June. The 'Volcano Furnace' will be fired with coke and air, molten iron at temperatures up to 2700 farenhiet will flow from three channels into three molds cut from rock boulders. The boulders are sited at the front, left and right of the Volcano earth work. The Volcano Furnace will remain on site with the iron castings at the foot for visitors to the park to enjoy for years to come.</span></span></span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: red;"><b><i>IRON FORMING ART</i></b> : </span>The 'Volcano Furnace' will be operated on June 23rd by Coral Lambert and her crew from The National Casting Center Foundry at Alfred University, New York to melt 900# of iron. The molten iron will flow out of three tunnels cut into the earth at the center of the Volcano, the iron will be cast into molds cut from stone boulders, the slabs of iron form diamond shapes speeding up the work of nature as crystals that have been form over eons. These slabs of diamond shaped iron will remain as an artifact of the event.</span></span></span></div>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4VJCRaZohEBZ_ZNUNKbBg8U6xowhB2-qKeKokxZMZUOcFWU-msGKg4A_jC3OcAIlM9mUcvqrx28Vll-rM855jMNd2NHEessCv6h8nE7wgZ35eBRLQeT_Es2DHBj2xlg7CgtSg097mGA9x/s1600/DSC_1430.JPG" height="320" width="195" /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGc8UZ8ce6EZjKIu6V3UVW3HZT-71GVrPuxdZBR2kJSeUiPZcKKrMt-EMcfQOsUSRTYkGZ8VViQtB7-SOjMvW1g0kgUySz96pYiQNnSkw3eU0EOcbCoguLq0H-z1qKT-IUPqcFAfu8n0KP/s1600/vf2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimHdGbUIyjIc3wyl7TEWs9WrBbuvFMaIkEoN4p-2yHcjJpmsPe7VNEMB3j_KQtCMZInW6WI6MBcB_8b96ZE0zvABKxJZWGwlK3xOPkSL3fEiF3XxtDGqrF47Z_L8fzf_1uFRES0oAXRFu/s1600/IMG_3859.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimHdGbUIyjIc3wyl7TEWs9WrBbuvFMaIkEoN4p-2yHcjJpmsPe7VNEMB3j_KQtCMZInW6WI6MBcB_8b96ZE0zvABKxJZWGwlK3xOPkSL3fEiF3XxtDGqrF47Z_L8fzf_1uFRES0oAXRFu/s1600/IMG_3859.JPG" height="320" width="239" /></a></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: red;"><b><i>RITUAL</i></b> </span>: The 'Volcano Furnace' will provide a platform for an evening of performance and ritual during midsummer on June 23rd. As Iron and coke is charged it has to be carried up the mountainside, the effort is laborious and carried out by many 'spirits'. <b><i>'Climbing up the mountainside : We unfolded space together' </i></b>is the act and art of charging melting and tapping the furnace choreographed into a dance of labor.</span></span></span><br />
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The story begins with an inspiration from Latvian Mythology based on Saule, the goddess of the sun and t</span></span></span><span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">he <b>'Tree of the Dawn'</b> choreographed by Danielle Jenson. Outside the garden a girl is lost as a metaphor for sick or dying. She finds guidance from the Volcano spirit to earn passage to the tree to find saule. To gain passage she must give offerings to the Volcano, she gives charges to the 'spirits' of the furnace. As she gets closer to completing her task her struggle becomes great, her binds are pulled. When she is granted passage her struggles lighten momentarily. When she arrives at the tree she attempts to light a small fire to call saule. Her failure and dying is represented by spirits coming forward and pulling a layer off of her bodice and covering her with it. After she passes saule appears represented by the burning tree.</span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUqVwDx-aZO4dFkQ3xlPZI3XBcrYcsS-cYfoIR-lnY8PRsJyihCn41AAD1hpmKvauPaT6f9N6y-IBzioiSFglCtWx0bSov0h8WAi1WzcXPCdjitzbaoELttpi7DMiYDoXTg-U6_m29UsOb/s1600/DSC_1379.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUqVwDx-aZO4dFkQ3xlPZI3XBcrYcsS-cYfoIR-lnY8PRsJyihCn41AAD1hpmKvauPaT6f9N6y-IBzioiSFglCtWx0bSov0h8WAi1WzcXPCdjitzbaoELttpi7DMiYDoXTg-U6_m29UsOb/s1600/DSC_1379.JPG" height="263" style="cursor: move;" width="400" /></a></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The garden to the right of the furnace where the<b> 'Tree of the Dawn'</b> is sited is also the site of blue flower plantings. The plantings take place throughout the charging of the furnace. The plantings are forget-me-nots a symbol of remembrance. This part of the performance is enacted by the <b>Alzhemiers Iron Project</b>. Spectators are invited to plant a seeds in remembrance of a loved one.</span></span></span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The first tap and flow of molten iron from the Volcano Furnace will light the 'Tree of the Dawn' whilst also casting the diamond slab of iron on the garden side, bringing the earth and Saule to life. Plantings begin in the garden.</span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFFNYZih9w1KIdUmKL4nTBfitke6hsUUw-TaEpG8YKOqk4HDccB1gqsVcbfw3C5CqrK7wEHd4g4Tx0MQU3OQ5dKHmtQ9Naae4cQgFRcHWa_1i3C9LbJuu1O-EIHhlnxg7DhoGxS2L00EqD/s1600/IMG_4023.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFFNYZih9w1KIdUmKL4nTBfitke6hsUUw-TaEpG8YKOqk4HDccB1gqsVcbfw3C5CqrK7wEHd4g4Tx0MQU3OQ5dKHmtQ9Naae4cQgFRcHWa_1i3C9LbJuu1O-EIHhlnxg7DhoGxS2L00EqD/s1600/IMG_4023.JPG" height="400" width="267" /></a></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The third and final tap of molten iron casts into the overflowing slabs of rock to the right of the furnace as the base of the steps. During which a procession begins, a rising of the <b>'Flight of the Phoenix' </b>choreographed and designed by Cynthia Handel, Jenny Hager and Suzzane Roewer. The 8ft phoenix references the Mercurial Bird, a symbol for the volatility of alchemy and revered for its profound powers. Its wings will spread as if for the first time in a thousand years and dancers will emerge, awakening the bird from the ashes. Equipped with the token symbols of the mercurial bird, the will give reinvigorate its magic, power and presence. The phoenix in all its glory atop the Volcano Furnace will eventually be ignited and become engulfed in flames. As the phoenix burns away, dancers will emerge from the<br />furnace to create a fire dance using fire fans as wings. When the fire dancers<br />wings burn out, the 'spirits' will collect remains such as ashes to be placed on the last hot iron diamond slab.</span></span></span><br />
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiknO7ozpM_jbBsgzgKIK9tvlFFCbBtrHyNqug7nfUIxmMlu7zq2Y5sD5JTsomuOLSIyteL22HgXnAcF-DDAb_VAGKr8Cp7KqeeSBvhu_OBf1YV0MLq1txMCW0kjJLSaGT6xCci1aymz0F_/s1600/IMG_4003.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiknO7ozpM_jbBsgzgKIK9tvlFFCbBtrHyNqug7nfUIxmMlu7zq2Y5sD5JTsomuOLSIyteL22HgXnAcF-DDAb_VAGKr8Cp7KqeeSBvhu_OBf1YV0MLq1txMCW0kjJLSaGT6xCci1aymz0F_/s1600/IMG_4003.JPG" height="365" width="400" /></a></span></span></span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></span></div>
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<span style="font-family: "Calibri","sans-serif"; font-size: 9.0pt; mso-bidi-font-size: 11.0pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">All again is calm, the dormant 'Volcano Furnace' earthwork will remain a charged site along with skeletal remnants of the 'Tree of the Dawn' and 'The Flight of the Pheonix' at Pedvale Open Air At Museum for future visitors to enjoy. </span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-LYKtmjJDxl-jprOKdVFzs5a6-sNnonB1suBeQD5ip9GzXfZO27UZmMs5WgStjfSJWHYquSeizgh8PKeJDZLiXUhnTqfSTMTWg-1vTNObmAZdLRUCULedLvqjZUx11OplPXlVlLuBLgOD/s1600/vf4.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-LYKtmjJDxl-jprOKdVFzs5a6-sNnonB1suBeQD5ip9GzXfZO27UZmMs5WgStjfSJWHYquSeizgh8PKeJDZLiXUhnTqfSTMTWg-1vTNObmAZdLRUCULedLvqjZUx11OplPXlVlLuBLgOD/s1600/vf4.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cast Iron Sculpture and Working Maquette of teh 'Volcano Furnace' with crew at the National Casting Center Foundry at Alfred University.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyipL9Br0K07LDaLr54sois9STsoQ70VZDpE1n1XQJEiRYW2-NlLp6oluD2DSk4kFG8lNyhkjn7tld_hbWIkLN0uu9z4QW4-OtB29u44D2iaptQkgC2Xre9Gx0psG5lL-p0dP9p4YvZTA0/s1600/DSC_1339.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyipL9Br0K07LDaLr54sois9STsoQ70VZDpE1n1XQJEiRYW2-NlLp6oluD2DSk4kFG8lNyhkjn7tld_hbWIkLN0uu9z4QW4-OtB29u44D2iaptQkgC2Xre9Gx0psG5lL-p0dP9p4YvZTA0/s1600/DSC_1339.JPG" height="262" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Plasticene Model of an initial rendition of the Volcano Furnace Earthwork</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi32BOv0_Uy4gbjW63PLf_WpY09GK2dT9kjqaSM44u_Cs3Zz_a3wKpkJquV7ArRl81ciZxJ1OZsvIIqflixsBrAoJAtJQCUo-c8ZdGMBLteP9CSK_HwDKnn6I0W0aHJBGNscy5L3xCVpeFH/s1600/phoenixrising.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi32BOv0_Uy4gbjW63PLf_WpY09GK2dT9kjqaSM44u_Cs3Zz_a3wKpkJquV7ArRl81ciZxJ1OZsvIIqflixsBrAoJAtJQCUo-c8ZdGMBLteP9CSK_HwDKnn6I0W0aHJBGNscy5L3xCVpeFH/s1600/phoenixrising.jpg" height="312" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Phoenix Rising mechanism</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEZi80nKnfpdVIZxBm7fsT_qQ_WIlQ_S4spqYc1zRODEAY0WIkpBjB8vFoyaUf4V-Z25eVt6KFAQ8Cac1B5kIOLyh0ke2k9j1BW4KWE203HpSbOITOcs9S9EEIHomDEHfz53ZLEjlRMSYq/s1600/phoenixaflame.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEZi80nKnfpdVIZxBm7fsT_qQ_WIlQ_S4spqYc1zRODEAY0WIkpBjB8vFoyaUf4V-Z25eVt6KFAQ8Cac1B5kIOLyh0ke2k9j1BW4KWE203HpSbOITOcs9S9EEIHomDEHfz53ZLEjlRMSYq/s1600/phoenixaflame.jpg" height="400" width="273" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Phoenix engulfed in flames at the top of the furnace</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt2g01epNcbLxj8Kco7AYcitVBQiv0mub4BiNRSNMQ-jm5YkfovL1zF24BtJBAQ6GOOsJLD7PMVychfxiO-8p2moXy4rr7f0ys5ukE97XKg2U1XeuGIbBg_taDqljGVBo4DBJxyq5NDpvL/s1600/volcanotop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt2g01epNcbLxj8Kco7AYcitVBQiv0mub4BiNRSNMQ-jm5YkfovL1zF24BtJBAQ6GOOsJLD7PMVychfxiO-8p2moXy4rr7f0ys5ukE97XKg2U1XeuGIbBg_taDqljGVBo4DBJxyq5NDpvL/s1600/volcanotop.jpg" height="320" width="234" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNRLRFz_7u7QJAeawTYgTEym9vC08YWLTSMcd2J09Y5t8XVlWrnImj_qLXw-pdgmUcknVp2wf5KOnPBXhoo_Vwox9b3JZQHInaYSsMtCottkE5p_sPLfJOxHTYknCbpdgLPhECg841Lqrm/s1600/volcanoheat.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNRLRFz_7u7QJAeawTYgTEym9vC08YWLTSMcd2J09Y5t8XVlWrnImj_qLXw-pdgmUcknVp2wf5KOnPBXhoo_Vwox9b3JZQHInaYSsMtCottkE5p_sPLfJOxHTYknCbpdgLPhECg841Lqrm/s1600/volcanoheat.JPG" height="320" width="258" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsWbw7ZdRttWoiEgay6-OKA8hjw_Uf3A2FCDXpUGUHE2Ky0o1yJ6oikDfL5WgyE20L_xlQK3cnifcyzboi9ieVdTYL8X6wWoQg0oXAHorzN9PRxZ2kyQQ5t-mkPsyutaxdLRo7elcbe6ol/s1600/tree+of+dawn+costume+(2).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsWbw7ZdRttWoiEgay6-OKA8hjw_Uf3A2FCDXpUGUHE2Ky0o1yJ6oikDfL5WgyE20L_xlQK3cnifcyzboi9ieVdTYL8X6wWoQg0oXAHorzN9PRxZ2kyQQ5t-mkPsyutaxdLRo7elcbe6ol/s1600/tree+of+dawn+costume+(2).jpg" height="272" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">'Tree of the Dawn' costume by Danielle Jenson</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEfqNBBtI0CeSis_1_m3vDrU9sUcldO9bhOB8q9c3QTLHAfc12XrvGRAeclpGsTBA4bBY3qn90-lCcFV-MWAVCVF-zjpsgdeTm3b7kKBJrWzAqa_ZwoTYRBSvsOHvj8RVsE5mYthCbZ_wZ/s1600/tree+of+dawn+costume+all+sides+(2).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEfqNBBtI0CeSis_1_m3vDrU9sUcldO9bhOB8q9c3QTLHAfc12XrvGRAeclpGsTBA4bBY3qn90-lCcFV-MWAVCVF-zjpsgdeTm3b7kKBJrWzAqa_ZwoTYRBSvsOHvj8RVsE5mYthCbZ_wZ/s1600/tree+of+dawn+costume+all+sides+(2).jpg" height="320" width="220" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDTkJM90M8i6bVV6YhjNTQWbeg-lCJg4c9VWNgZO9US0YksvCDQC_2WjV-78cN2VuHFXR6XDT40za5VbtuI4nouQmJAWL8N6YDHaiDVhH72_5IVUcOe5kaQIbtJtQItxp-HVOFbjweZ1a5/s1600/costumemoon.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDTkJM90M8i6bVV6YhjNTQWbeg-lCJg4c9VWNgZO9US0YksvCDQC_2WjV-78cN2VuHFXR6XDT40za5VbtuI4nouQmJAWL8N6YDHaiDVhH72_5IVUcOe5kaQIbtJtQItxp-HVOFbjweZ1a5/s1600/costumemoon.jpg" height="320" width="292" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">'Flight of the Phoenix' Fire Dancer Costume by Cynthia Handel</td></tr>
</tbody></table>
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">We hope you can join us! The International Conference on Contemporary Cast Iron Art at Pedvale provides an unprecedented cultural
exchange between the international cast iron sculpture movement in contemporary
art, and the Latvian academic and professional sculpture tradition and
community. The
mission of the International Conference on Contemporary Cast Iron Art is to “create
an international platform for the exploration and practice of contemporary cast
iron sculpture and to inspire global participation in the aesthetic,
conceptual, cultural, historical, and technical dialogue on contemporary
cast iron art.”<span style="color: #7f7f7f;"> </span></span></span><br />
<br />
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</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Founded in 1988, Six successive conferences have occurred
once every four years encompassing
the scope, history and aesthetic possibilities of the cast iron medium to the creative
practice of contemporary artists. </span></span></div>
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Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com0tag:blogger.com,1999:blog-777207645995779270.post-84113891521457461922012-12-30T18:13:00.001-08:002012-12-30T18:20:39.271-08:00Salem 2 Salem : Germany<span style="font-family: Tahoma; font-size: x-large;"></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2PIRZiMQCda4hVkW34tcwYjybam2CU1NC_QOBlaJFqlyGH4qRI9ih8JbDdo4yzV3mYFA5ExXTuBw_ETN-n84XhNzQ0oKY_ZDIoxQWItQkzr_nr2oMfRQP0DlVVfiXGsfFNimJtaDv8Jg3/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2PIRZiMQCda4hVkW34tcwYjybam2CU1NC_QOBlaJFqlyGH4qRI9ih8JbDdo4yzV3mYFA5ExXTuBw_ETN-n84XhNzQ0oKY_ZDIoxQWItQkzr_nr2oMfRQP0DlVVfiXGsfFNimJtaDv8Jg3/s320/1.jpg" width="240" /></a></div>
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<h2 class="MsoNormal" style="margin: 0in 0in 0pt; text-align: left;">
<v:shapetype coordsize="21600,21600" filled="f" id="_x0000_t75" o:preferrelative="t" o:spt="75" path="m@4@5l@4@11@9@11@9@5xe" stroked="f">
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<v:f eqn="if lineDrawn pixelLineWidth 0">
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<o:lock aspectratio="t" v:ext="edit">
</o:lock></v:path></v:stroke></v:shapetype>NATUR - LOCHKARTEN<o:p> </o:p></h2>
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<o:p></o:p> </h2>
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">Nature
is wild, unpredictable and ultimately beautiful. A punchcard is a stiff piece
of paper that contains digital information represented by the presence or
absence of holes in predetermined positions. It was an early system used to
control textile looms and mechanical computers for input, and processing, it is
a system to aid reproducing the same affect again and again thus mimicking what
takes place naturally in the world around us such as when a spider weaves its
web.</span><br />
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"></span> </div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc5Q1X9EwqOvuoAKDTg__s3XZ1DScUWTlKona_Yu6ZxDdnIQzL26YS6pOhKuhSf2fEStTQORbyKfNRbpcAyox3p1CA3yv-olN6bGrWcAcuX7aHr7gDXTirNaGYstluyuamK6OaK9-ax1TD/s1600/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="124" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc5Q1X9EwqOvuoAKDTg__s3XZ1DScUWTlKona_Yu6ZxDdnIQzL26YS6pOhKuhSf2fEStTQORbyKfNRbpcAyox3p1CA3yv-olN6bGrWcAcuX7aHr7gDXTirNaGYstluyuamK6OaK9-ax1TD/s320/2.jpg" width="320" /></a></div>
<h2 style="text-align: left;">
NATURES
PUNCHCARD</h2>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIsftIXD4ulGpl0WZaKH8gk9bI6X42IL3y5gbLKSp_1KgWgY-MZiiZ79NkVfXjYnkKzytgv2wPKNWzYKGlpmoYr9hoAvTfV8EbYPe4VRUHrUR5woRJsrjcPfsC3jK3EDvCENdghrd3PM4j/s1600/5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIsftIXD4ulGpl0WZaKH8gk9bI6X42IL3y5gbLKSp_1KgWgY-MZiiZ79NkVfXjYnkKzytgv2wPKNWzYKGlpmoYr9hoAvTfV8EbYPe4VRUHrUR5woRJsrjcPfsC3jK3EDvCENdghrd3PM4j/s320/5.jpg" width="320" /></a></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 48pt;"></span> </div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">SPEEDING
UP THE WORK OF NATURE<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div style="text-align: left;">
</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_frWT-o5ikNfowAFShoQ8e7QeS2mDtjN6-xwccb2YSFQOnFQ85NEkbwBwnxgip1rL9RyCVd1ZscDZb6EzJq5WPO69qP8zPrUPrCnhyMI0Hvqqorn_MLe_XRNztgMQnsSH7akMCg8l7vnV/s1600/4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_frWT-o5ikNfowAFShoQ8e7QeS2mDtjN6-xwccb2YSFQOnFQ85NEkbwBwnxgip1rL9RyCVd1ZscDZb6EzJq5WPO69qP8zPrUPrCnhyMI0Hvqqorn_MLe_XRNztgMQnsSH7akMCg8l7vnV/s320/4.jpg" width="304" /></a></div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">I utilize the
Sculpture Studio as a laboratory to examine how things exist: I am exploring the
‘nature’ of various materials in a union of concept and process. My
investigations manifest themselves through heat ‘n’ treat practices such as
molding, melting, casting, forging, welding and fabricating.<span style="mso-spacerun: yes;"> </span>Metal is my <span style="mso-spacerun: yes;"> </span>‘prima materia’, and I regard it as a living
material, it breathes, oxidizes, and grows, emerging from the furnace, the
forge and the mould … raw and elemental as it was originally raised from the depths
of the earth.<o:p></o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span></div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 22pt;">PRIMA<span style="mso-spacerun: yes;"> </span>MATERIA</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnAJvAH99-l1iuVEIK9Gss4mGoaLGGqf0P157ugZF6JMpvKcBhRhdioxaT3dNQmRE-2smQzs8JOimdKl5UF3JaTUTT5J2oYLFNTP0YvnEVk_G_MnSTP1xAkMYNUf_X8Etxl6mtpW1Yc5zH/s1600/8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnAJvAH99-l1iuVEIK9Gss4mGoaLGGqf0P157ugZF6JMpvKcBhRhdioxaT3dNQmRE-2smQzs8JOimdKl5UF3JaTUTT5J2oYLFNTP0YvnEVk_G_MnSTP1xAkMYNUf_X8Etxl6mtpW1Yc5zH/s320/8.jpg" width="315" /></a></div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">The
metal I utilized to make ‘Natur-Lochkarten’ is reclaimed scrap steel from a
local scrap yard in Salem, Germany which had been used and most probably
discarded by the building industry, some of it was from a demolition site as it
was almost mangled beyond recognition. Originally the new steel had been shaped
into standard stock sizes such as I Beam, Square, Round, Solid, Angeline,
Rebar, Threaded Rod, and Pipe: these are manufactured in large industrial steel
mills, using intense heat they are taken through a journey, once molten, stretched,
shaped, twisted and bundled they are cooled and stacked into the many different
but standard lengths and thicknesses. Much of this steel provides the
foundation and structure of our built environment as we experience it today
such as roads, buildings and bridges.</span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p></o:p></span> </div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">INDUSTRY<o:p></o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirDQbW0X78fagvNh_5spNzZtsTT1OoRi_vzHQctYQSljDARiQ2t1jf-MwGJSG3KN2y1nO7fDkgsspb3L2gYrmPYRPQ6unXnHFHTNHsnKasRy2a2zGxJiL1c2rByIARIUZseX7svuWittqT/s1600/7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirDQbW0X78fagvNh_5spNzZtsTT1OoRi_vzHQctYQSljDARiQ2t1jf-MwGJSG3KN2y1nO7fDkgsspb3L2gYrmPYRPQ6unXnHFHTNHsnKasRy2a2zGxJiL1c2rByIARIUZseX7svuWittqT/s320/7.jpg" width="320" /></a></div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"></span><br />
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">Steel
is processed Iron, Iron is a natural material found in the form of Iron Ore
buried deep within the earth. The ore is basically rock with veins of iron, it
is mined and then in the belly heat of a furnace at 2400 F the rock begins to
bleed out the liquid iron which will produce ingots of pig iron. The pig iron
ingots are melted down again and used to make Steel for constructing and
welding as well as Grey Iron for melting and casting. As well as pig iron,
recycled scrap iron is also used. <o:p></o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">Using
the scaled down industrial process of heat forging with a power hammer the
reclaimed steel from the Salem scrap yard was yet again transformed as I worked
it with the element of fire one more time.<o:p></o:p></span></div>
<br />
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<span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">OUR
GREATEST ENGINEER<o:p></o:p></span></div>
<br />
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<img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0T1CNZU5SYccbH1EKHcSFp6kS6iN8aU-TpYlMzBIAfTtUyS9yeCgOEMuy1uw5o2wbjoC0hRLuFDjocf4hSaH0yfzli6tkwvjbWubBOENGAp3z_jTiEze6WeRe0WVD1iVThO77j0qlWuDg/s320/9.jpg" width="320" /></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">Taking
inspiration from the reoccurring structures and forms observed in nature : I
designed modules in the form of a six spoked wheel, creating a hexagon : with my
parameters set each module could be made in the same manner to the next similar
to the concept of the punchcard system.<span style="mso-spacerun: yes;">
</span>Through the union of concept and process I began with the random
selection of steel stock for each spoke, unique hexagons resulted much like the
patterns of a snowflake. </span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-no-proof: yes;"></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-no-proof: yes;"></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">FORGING<span style="mso-spacerun: yes;"> </span>AND CASTING <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijl8mJFlH6aEvCTy_RcqKZT5IP6lSadVNWLiE7O0wMwmQruEEyROfbFJ4IGZuP5VLtu18UJw6p267gP3IJaNsf4K1lyvJ0Q7hhG1KDry5mQ1hIfJMOal82t8dlAdeU5Bm-twQoktOncKxj/s1600/12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="99" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijl8mJFlH6aEvCTy_RcqKZT5IP6lSadVNWLiE7O0wMwmQruEEyROfbFJ4IGZuP5VLtu18UJw6p267gP3IJaNsf4K1lyvJ0Q7hhG1KDry5mQ1hIfJMOal82t8dlAdeU5Bm-twQoktOncKxj/s320/12.jpg" width="320" /></a></div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"></span><br />
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">I
measured and cut with the best precision possible each section of steel into
the desired length. At this juncture all of the spokes started out the same
length. The end of each spoke was heated in the forge to temperatures between 800
to 1200 degrees Fahrenheit, once ‘cherry red’ the spoke was removed and put
under the power hammer in anticipation of being compacted and flattened. The
power hammer is a mechanical forging hammer that uses a non-muscular source of
power to raise the hammer ready for striking; in this case the power hammer
speed is controlled by using a foot pedal. Once the hot steel is removed from
the forge and placed under the hammer I control the flattening and stretching of
the spoke end but there is an element of nature at play.<span style="mso-spacerun: yes;"> </span>Fluctuations in the temperature of the forge,
variances in the thickness of the metal and the speed of my actions as I
twisted and pulled the length of steel in conjunction with the hammering action
of the machinery resulted in eccentricities, of which I anticipated and
intentionally manipulated.</span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"></span> </div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">T</span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">hrough
this heat ‘n’ treat process the industrial steel stock sections began to revert
back to their original state of belonging to the earth, the recognizable shape
of the standard stock IBeams and Rebar started to disappear revealing evidence
of the fires that formed it.</span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">FRAGMENTATION<span style="mso-spacerun: yes;"> </span>AND CONNECTEDNESS <o:p></o:p></span><br />
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyMFUdHjMNhuFEz6kI0E6qOX2JuHv5I87jlV0JlZxqBTMJrkFsZ_MDCLhHkq8gtD8QUs6tJ_dE5EJVBGhsqBlkHrw7sb1LD7JCCcd4gTdvMVsAJLdTwJ1o26vFqfMS3TWeOSi_jk9bUJ83/s1600/18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyMFUdHjMNhuFEz6kI0E6qOX2JuHv5I87jlV0JlZxqBTMJrkFsZ_MDCLhHkq8gtD8QUs6tJ_dE5EJVBGhsqBlkHrw7sb1LD7JCCcd4gTdvMVsAJLdTwJ1o26vFqfMS3TWeOSi_jk9bUJ83/s320/18.jpg" width="198" /></a></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">With
the hexagon formation as the focal point of the modular system, I pinned and
hinged the many parts together with a combination of heat forged rivets and ratcheted
machine bolts. This accumulative structure is now a semblance of the whole. <span style="mso-spacerun: yes;"> </span>Reminiscent of the links connecting a
community together: it is a convergence of art and engineering; it can act as a
catalyst for ideas, a structure for a skin: a space for relaxation, education
or entertainment. It is a place for the mind and the body, it is a hearth.</span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span><br />
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<img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVtU1T49_Ye94pNMvqxxjmIqFP0BpnK7m0OeFZk0INIyTmHqJeWLO0jTlCm2SJ0nNZ4_qqrnhnjx5TTe6sU2M6mfF9543BQ4VWHR1cRrj3c6xTKfncrrvVcv3qT5yTbFsFlnx8lbg_Jhgt/s320/16.jpg" width="240" /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi62QtQpAuXiwPbxc7-oo0iC7Oi3K5LvDtfVaYZV7sN8kXffBJiP92VHScVC1OS0uDqaRhFPgNIgrsUx61yQYRyjfdMCAO-b2igkOJ3yR4XtWg4xOgiId8-sN25Q_e-zOpOrlkGPbS4I65n/s1600/17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi62QtQpAuXiwPbxc7-oo0iC7Oi3K5LvDtfVaYZV7sN8kXffBJiP92VHScVC1OS0uDqaRhFPgNIgrsUx61yQYRyjfdMCAO-b2igkOJ3yR4XtWg4xOgiId8-sN25Q_e-zOpOrlkGPbS4I65n/s320/17.jpg" width="255" /></a></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">The
work articulates a value towards natural phenomena and a fascination for Iron’s
historical virtue as the plastic of the Industrial Revolution. Investigating
the ‘plasticity’ of Iron, the twisted industrial forms in ‘Natur-Lochkarten’ alludes
to architectural wrought iron as well as the geodesic dome but rather my endeavor
here is to capture our imagination in the environment in which we exist.</span><i><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span></i></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">Coral Lambert<o:p></o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span><span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">THE
SCULPTOR</span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">International
Sculptor Coral Penelope Lambert studied at Central School of Art, London, Canterbury
College of Art, Kent and received her MFA in Sculpture from Manchester in 1990.
Specializing in cast metal sculpture as an International Research Fellow Artist
at the University of Minnesota from 95 -98. She is currently Head Professor of
Sculpture and Director of the National Casting Centre Foundry at Alfred
University, New York, USA.</span><span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4i6rR3Z1A798KmF2gyM6jWyJlW3tcz-MSNMPufah92SS8rS6cPytGfzOIFpZj6Lh_TVYp8SB1BqOTGVsYiiV2oL2WM0_MniHO9bMGCAypaMHOY9NdNCWLF-Dpw-b-ApKXV6DHbveNSXd/s1600/19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4i6rR3Z1A798KmF2gyM6jWyJlW3tcz-MSNMPufah92SS8rS6cPytGfzOIFpZj6Lh_TVYp8SB1BqOTGVsYiiV2oL2WM0_MniHO9bMGCAypaMHOY9NdNCWLF-Dpw-b-ApKXV6DHbveNSXd/s320/19.jpg" width="171" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-LQyeA8JR0vHnumw4c8v4avGUrIpfr4DJ_UWDFZRoHfSIVBFUzjaRkePzNzG-hX51-3hiXiGujnMuF7FiC-QvfYc7a74GQ2BL6d334zGmRJPmdoLL10lPTW040buEBii5nMInyDM2S0Y2/s1600/21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-LQyeA8JR0vHnumw4c8v4avGUrIpfr4DJ_UWDFZRoHfSIVBFUzjaRkePzNzG-hX51-3hiXiGujnMuF7FiC-QvfYc7a74GQ2BL6d334zGmRJPmdoLL10lPTW040buEBii5nMInyDM2S0Y2/s320/21.jpg" width="230" /></a></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;"><o:p>Portrait photo by Ronnie Farley </o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">As
a recent recipient of the Gottlieb Foundation Award and The Joan Mitchell Grant
I am recognized for working in cast iron as well as large scale outdoor pieces,
exhibitions include: ‘The Avant Garden’ at The Barbican Center, London,
Franconia Sculpture Park, MN, ‘Convergence’ in Providence, ‘Grounds For
Sculpture’, NJ, ‘Pier Walk’, Chicago, ‘Atmosferric’ Salem Art Works, NY,
Pirrkala in Finland, Huian China, The National Metals Museum, Memphis, ‘Nature
Rules’, Governors Island, NY and ‘IronStone’ at Kidwelly Castle, Wales.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSX9QM6pBJLQOk6BleGtzcgPSLZqlptb9-4CuqRO77hewrPKsYZRb3PHs8Ve3-mBmNqZPgnrmBbB31UEQxzkjLrKGJw9YDMwE2GuYnXXIBnppTKJi52idechSF-UVLHn1yy9BPGUn8l5ts/s1600/22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSX9QM6pBJLQOk6BleGtzcgPSLZqlptb9-4CuqRO77hewrPKsYZRb3PHs8Ve3-mBmNqZPgnrmBbB31UEQxzkjLrKGJw9YDMwE2GuYnXXIBnppTKJi52idechSF-UVLHn1yy9BPGUn8l5ts/s320/22.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivhE9OSvG-s7y-WLJVuBG5xddOHz4h9Zmeb0v-EXI5nk17-dtXFnumbV-fuZvBnIpnuwmRGiyOHTnZbu2q0BQOyDULpcg3L4zsmFCoIRHQKSIcYYS7T3-_pQ_gA_DuHFQMOr7WRQRs-6ca/s1600/23.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivhE9OSvG-s7y-WLJVuBG5xddOHz4h9Zmeb0v-EXI5nk17-dtXFnumbV-fuZvBnIpnuwmRGiyOHTnZbu2q0BQOyDULpcg3L4zsmFCoIRHQKSIcYYS7T3-_pQ_gA_DuHFQMOr7WRQRs-6ca/s320/23.jpg" width="320" /></a></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 24pt;">SALEM
TO SALEM</span><span style="font-family: "Tahoma","sans-serif"; font-size: 14pt;"><o:p></o:p></span></div>
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<span style="font-family: "Tahoma","sans-serif"; font-size: 11pt;">The
life size working model of ‘Natur-Lochkarten’ was produced in residence at Salem
Castle Blacksmiths Forge during the Salem 2 Salem Symposium 2010. A maquette, video and stills will remain at the Castle with the Sculpture. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSlqv1-2oBcsai0NagJayVcFVoUfeAsJIev_S8yogCGzosPQKS1_qvnIT39M9C7ieBtHPJTf5l4mlYx2H10dZl84Nyl0n5h6pcLHR14f5AtRoiJ9SRQw3xf25YvjomHnsro5pVcNBpD1CB/s1600/27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSlqv1-2oBcsai0NagJayVcFVoUfeAsJIev_S8yogCGzosPQKS1_qvnIT39M9C7ieBtHPJTf5l4mlYx2H10dZl84Nyl0n5h6pcLHR14f5AtRoiJ9SRQw3xf25YvjomHnsro5pVcNBpD1CB/s200/27.jpg" width="121" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgabOE4dVZJS2NpNU5HsbJwefrg5sWGn_BfnW-f6TGBXQhoCBhGuQHyreSiQ687eyAh3UFy2Ca0QHh4pcKtqLcFWTcfZReRfPdNuNt_XanhW38BdJKcTbgiHLp1l6FlsURdNd8o1m29v_F4/s1600/25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgabOE4dVZJS2NpNU5HsbJwefrg5sWGn_BfnW-f6TGBXQhoCBhGuQHyreSiQ687eyAh3UFy2Ca0QHh4pcKtqLcFWTcfZReRfPdNuNt_XanhW38BdJKcTbgiHLp1l6FlsURdNd8o1m29v_F4/s200/25.jpg" width="135" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuoMSnpvhBFTR53eu9w7d5MYGoWCGeztqU8ky5sEpwEpXcQZdRSEqbn96M7cPfsshgc3239_8nla7TAGhieoSttQN8by2UQO7SIq9tLKa3xpWXukGFc4EEatzicyVrNFr3doKT-8ZpGQUG/s1600/26.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuoMSnpvhBFTR53eu9w7d5MYGoWCGeztqU8ky5sEpwEpXcQZdRSEqbn96M7cPfsshgc3239_8nla7TAGhieoSttQN8by2UQO7SIq9tLKa3xpWXukGFc4EEatzicyVrNFr3doKT-8ZpGQUG/s200/26.jpg" width="150" /></a></div>
Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com1tag:blogger.com,1999:blog-777207645995779270.post-26956670630556949032011-07-21T12:45:00.000-07:002011-07-21T13:15:02.490-07:00Overview<div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">The ability to Ignite … to dynamically utilize fire as a tool … in order for things to be better, go faster and farther has been a measure of society’s capacity to flourish.</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"></span><span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv4NojOfZH4DyhCCl2Yb-cUtpALaKHb7tDjUHNYrAUnA3vqCMfaMzZhnb2vJdhK5HWbrxg7IYt-Nh8hRw3y59Ah9t-cbzVfBZzgD6fD5apyyx3RA13R1noXpFW86Wr27r_kHtzhSarvGDV/s400/Picture1.jpg" t$="true" width="400" /></span><span style="font-size: small;"><em> Fire Drawing @ Franconia</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="font-size: large;">From the first campfire to our twentieth century world … fire has been harnessed, enabling survival by way of cooking and heating but it has also led to ravishing the planet of its resources created by greater and greater need or should I say greed for fuel.</span></span><span style="font-size: large;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimic-d339VkoEG6zPAwNnN_A0IGkY32yz1yuvkq5n6HLQA1MTQRmDsyCTblrjiJmy7UcGk1b7-1UIqrGt2G919OMkzxXY__Lg96OV-hw2nFf88EQNer2kLNnTwsqDoiYjCF-SKIO3qCoss/s400/Picture2.jpg" t$="true" width="400" /></span><em> Fire Eating Dance @ New Mexico</em></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-size: large;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="mso-spacerun: yes;"> </span>‘Prytotechnic production required higher and higher temperatures and more and more fuel, than the heat of the campfire which typically burns at about 600f. Hearths, Kilns and Furnaces that intensified fire to above 800 followed then super heated forges catapulted the technology and manufacture of sophisticated tools, weapons, and jewelry. It enabled the creation of coins - metal money. A</span></span><span style="font-size: large;"><span style="font-family: "Arial Narrow", "sans-serif";">s is stated by</span></span><span style="font-size: large;"><span style="font-family: "Arial Narrow", "sans-serif";"> Edwin Black in hi</span></span><span style="font-size: large;"><span style="font-family: "Arial Narrow", "sans-serif";">s book ‘Internal Combustion’, ‘Smelting enabled civilization itself, it was the technological font from which everything else flowed.’</span> </span><span style="font-size: large;"><img border="0" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Oo2zKlbklHUW7rMmY8qhyphenhyphen_F6K4D0B8QxRMEXi2dRfhE1rdiJffTfcxgaGnHYpOD2-2Chx9uqOdi9JmN93Tzj6uZRj5n14c-lZIIcIpiZpn4STVdXH-ydg67qFbxPs662z6zLFkIahp3M/s400/Picture3.jpg" t$="true" width="400" /></span> <em>Molten Metal Overflow</em></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";">As an artist I use : Fire as a transformative agent aiding the events: which are tantalizing, in flux, action, vibration, and residue. Operating</span><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"> with these elements has allowed me attempts at capturing a sense of vitality, cause and effect in my work. It is a tool that I repeatedly come back to.</span> </span></span></div><span style="color: #eeeeee; font-size: large;"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAItAOJeXw2Q-HkWtImETfaZg1PdNI-9gKm2lW7cLKNIrTZwIB2OVSuz6XqvbB4Ls2gC2ybDgB-bhElBtPlGmspNZQfFzWFQ80mp-GTU5YyfPwib0YwKg-o7wpobFNFd55_AYjwLZG73xj/s1600/Picture4.jpg" imageanchor="1"><span style="color: #eeeeee; font-size: large;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAItAOJeXw2Q-HkWtImETfaZg1PdNI-9gKm2lW7cLKNIrTZwIB2OVSuz6XqvbB4Ls2gC2ybDgB-bhElBtPlGmspNZQfFzWFQ80mp-GTU5YyfPwib0YwKg-o7wpobFNFd55_AYjwLZG73xj/s400/Picture4.jpg" t$="true" width="300" /></span></a><span style="color: #eeeeee;"> <em>'M</em><em>othRA; Personal Iron Cupolette</em></span><br />
<div class="MsoNormal" style="margin: 0in 0in 0pt;"><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"><span style="color: #eeeeee; font-size: large;">The preparation of this blog gave me an opportunity to review my work over the past 20 or so years and I have selected a few pieces that deal with ideas that I continue to return to in new work. They are in no particular order. </span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"></span><span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw7l9eqwyzuc1SZFGZIPsdUabvLGvB8w-oY8f5fuukVflzEJO_t4NpkcZp8ug_8eKzFA_Yt8LCMHWesNT4OV4UBj90bViQwZ1qtoYhOZvMuGr0TpvYbELB9JNKxa68sHdS24UZyDjruZpP/s400/Picture5.jpg" t$="true" width="400" /> </span><span style="font-size: small;"><em>'Celestial Spheres' Cast Iron '97</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><b><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"><span style="color: #eeeeee; font-size: large;">'Stimulus'</span></span></b></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-size: large;"><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;">This is an early piece as with many of my early metal casting experiments I spent a period of time, about three to four years researching and developing the use of low tech processes where I could embrace the unexpected and explore materials shifts, using ancient processes.</span> <img border="0" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK6D5AsGLPPL-zD3tzYGiDLelD3_jtaaP7_QLkU2WQohMeLJrGrV5tqqx9rFpHMtMUpi4Ux0ImYNbKWg2F066QdrzSanEjdJ-qJui4r3g7d2Z7wsKYCOeTb82UG8Yj5FdkfZeYYZBkx_Fx/s400/Picture7.jpg" t$="true" width="400" /> </span><span style="font-size: small;"><em>'USUK Iron </em></span><span style="font-size: small;"><em>Symposium 1998</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"><span style="color: #eeeeee; font-size: large;">In this piece I used the earth as a mold … <span style="mso-spacerun: yes;"> </span>.. I made a positive from another artists negative. As earth was dug, I would build up.</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-size: large;"><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;">The mound created by the other earth work was a center dome, a burial mound where the event was hidden once the grass grew back over, It would dissapear. I was exploring the notion of a grounded central axis, say an earth with an orbiting force, the mound became the earth by which my piece was conceptually tethered to. It resulted in a marker for the activity.</span> <img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1UjgNz6QHlwefp9RQt7Rq6Pjxe14WR3aEZfYhJOYO5ZNv8vtEpx0J4ufZ8d-YBN272GeeMgVBfGIuYmSYGNs40fxlGDNKffsKTU8KbzlE1Y4J0IgZb1dvw424YbPz22bbrywRpwkVCfwN/s400/Picture8.jpg" t$="true" width="267" /></span><span style="font-size: small;"><em> Burn't Sand, Gold Leaf, Mud + Cast Iron</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="color: #eeeeee;"><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;">It brings together concepts of duality: </span><span style="font-family: "Arial Narrow", "sans-serif";">The investigation of many things and the contemplation of the mystery; </span><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;">the object is physical and static, yet it resonates with life, resiliently maintaining the presence of the process that created it.</span></span></span></div><span lang="EN" style="color: #eeeeee; font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"></span><br />
<div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8HCaZGPtcJ1rpCANVi6afVTIGTlX48qw9KOzACuJrCGVzHQ6n43qaUsT_wjUYdaQ7oIiufXjMD9Q8slJnb0sCV7OfXqsJdU6YtWafpuwUghBHKrslAHZyXGFlPcq7gg5XAtw3_1EEm4V/s400/Picture9.png" t$="true" width="400" /></span><span style="font-size: small;"><em> Cast C</em></span><span style="font-size: small;"><em>opper + Aluminum - Levitated</em></span></span></div><div class="MsoNormal" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; margin: 0in 0in 0pt;"><b><span lang="EN" style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN;"><span style="color: #eeeeee; font-size: large;">'Lodestone'</span></span></b></div><div class="MsoNormal" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="font-size: large;">A Magnet. </span><span style="font-family: "Arial Narrow", "sans-serif";"><span style="font-size: large;">I am fascinated by how a physical, relatively inanimate object like a rock, tree or even a farmers mechanically produced hay bale can have a metaphysical presence. </span></span></span><span style="font-size: large;"> </span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">I have come to the conclusion that this probably comes about in many different ways far too complex to go into here but there are two areas of which I think have a greater affect on this phenomena and that drive my sculptural investigations. </span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3qz8CiXDL2gPFC83t-sOWXQwtTvNpJtGuABdGxxFk0n02gmVIR6B4BjW8_B-3DrtaBYgj1mwd51vhe7eWJcUsar0SRZPMxwKthg2NuwK-Hce4Qt9cqUhquEhmlYTXaVxTIV9ySrbzkBvL/s400/Picture13.jpg" t$="true" width="298" /></span><span style="font-size: small;"><em> International Sculpture Symposium, New Orleans</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";">One being how an object grows and forms; whether it be the subtle strands of a blade of grass, the intense layering and overflowing of volcanic lava or the diverse and complex materialization of the constantly shifting clouds. I am referring here to an experience on a mesoscale: which refers to a human scale interaction with our environment.</span> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhphdy-iTftxq0ZaOaRD3kEAVcJOCI_d1Yy6ECoYTXl4cjCOSxYyN5Ril2MAwW5MPreYZEsl0ZOThZKhOWU_1RsJLIU3UCv3K4BAIehMeBIxbuw_pT4AipWWg5yM0LrFhSfXcjVQbbhW6Fx/s1600/Picture14.jpg" imageanchor="1"><span style="color: #eeeeee; font-size: large;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhphdy-iTftxq0ZaOaRD3kEAVcJOCI_d1Yy6ECoYTXl4cjCOSxYyN5Ril2MAwW5MPreYZEsl0ZOThZKhOWU_1RsJLIU3UCv3K4BAIehMeBIxbuw_pT4AipWWg5yM0LrFhSfXcjVQbbhW6Fx/s400/Picture14.jpg" t$="true" width="302" /></span></a><em><span style="color: #eeeeee;"> Graphite, Cast Iron, Shotgun House</span></em></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";">'</span><span style="font-family: "Arial Narrow", "sans-serif";">OMNIPRESENCE'</span></span></span></div><div class="MsoNormal" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";">I have referenced megalithic stones and meteorites in my work, comets and meteorites formed by ancient celestial fire have been revered as objects of great power. <span style="mso-spacerun: yes;"> </span>Up until the middle ages it was a common belief that the sky was a canopy of solid matter, bits of which would occasionally fall off leaving on the ground mysterious black stones. My interest between influx and static, transient and permanent, between earth and sky as metaphors for the mind and body are touched upon in this installation. A giant boulder slotted into an impossibly small shotgun house in <place w:st="on"><city w:st="on">New Orleans</city></place>. </span><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5RutjUelzAQxOuubfck-wCEQLPkPrSZB3RAfxPEupFbk65PFzuXGkeUdP-wjoVMKL52cqU5ypZ5ZJguZeFb0sGDmez98bCEXzjLRPVdgpZV4DggHnti6WMqtSbpRLrH9JleK-pZaFckN0/s200/Picture17.jpg" t$="true" width="150" /> <img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9yQJUUtB34Vxxl5OXrLVs5M76wE3QRwYmGQEtlny_mONo5rb47__GDPfLIrUVAF2vJFXPNNNoVw1xZf2VZes7MyNdnOMLvi_se3wyGDQUvIc16rA_2yzkwqWyfsyPp9jeE3Q2Vkam22WB/s200/Picture18.jpg" t$="true" width="150" /> <img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi92mFlvSh6Fgp6OufLyeuLz9-4S0AbaFXRs7VZ2HxEEN7H4UTfdHsi_ka73WE4U_EFfdlPi-92fAnAg9YAcbTEzuQ5b6elIsDNClGQ-TAxr4uWGEG3nNctf-OGqN82tv5DjMYXXJwx1HZT/s200/Picture19.jpg" t$="true" width="200" /></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">Aside from how things come into being and how they may exist …. The other factor in the contemplation of the mystery comes about by our perception of the object and the thoughts we impute upon any given object such as the perfect crystal forms said to be created when monks bless water with chants and positive thoughts or the concept of reshaping objects using the mind’s energies such as Urigela’s spoon bending as referenced in my ‘diving rod series’. I find these sorts of natural phenomena totally intriguing, a shaft of light, a glint from a jewel, a shadow in an enchanted wood, an enigmatic broom leaning against a doorway, an autumn bush seemingly ablaze on a hilltop or a rainbows reflection in the mirror of a lake, these things cannot be quantified in the object.</span></span></div><span style="color: #eeeeee; font-family: "Arial Narrow", "sans-serif";"></span><br />
<div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee; font-size: large;"><img border="0" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJm6pykKwo6LVqFPCt5np7hXJ914Wp3c6Vef6lr-dgvA-akfMmkJh-s_TYU5AUA9YB_MDr0RpE5kE8_13BslrG6924LOn6WAM0i4JJl3f0gQay9pa3bcpbwyt82j5k-VRnr-fvj297KI0g/s320/Picture21.jpg" t$="true" width="320" /> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVsE6YhuCtoBXhub7bCWhubzuPeJI796HxWHRmQFiD-Job0q9SbqGobmhRbY65FRgg8NNY5CqAQ1TVut03rqZEO44RJEZcYEmB_2uNcDiF1h3cNq9XiahNJC9JGqjVk9QyQz8cAtp6NCYL/s320/Picture22.jpg" t$="true" width="244" /></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><strong><span style="color: #eeeeee;">'Diving Rods' - Magnets, Cast Iron + Steel</span></strong></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">The question is can we ape nature in a way that does not merely illustrate it, and why are we driven to do this, this is what I play with in my work: to be closer, to be nearer, to experience, to attempt to make work that exudes that same beauty and awe. </span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"></span><span style="color: #eeeeee; font-size: large;"><img border="0" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvCneTMvDvCbZ-W9jKlPd5-VUx9ZbdEOrHzVIAs9Fk_M4JnMvOfL2bx6iN_YJwYqYXL8giWZKDbEEPbHbqRemipkhKj0BAW4RP66l79M1EIkSmCM0CvxNLf_0GBpg_lRQ2gwjpsC8g-gjW/s400/Picture25.png" t$="true" width="400" /> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSOXJKS4dXkoI2PAA1oI_KGMHS7AhzUdlgulM4tlV3Bn7fnOdB6aB0F95rb8Xmb683z97TecKhe9p5NTLzUR_4pUeyAuJNBASOpfh9PkuTXvRe-ADmef5UkIWS4Jo1QkVfP3WDaINQnEv2/s320/Picture26.jpg" t$="true" width="208" /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #eeeeee; font-size: large;"></span></div><em><span style="color: #eeeeee;">'Teardrop of Earth's Magic Memory' volcanic rock + cast iron</span></em><br />
<span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE2ICJ0oW0UqLXXuscv_8lgU87TN8JBb4V0S65GL0MIVRavqD9SQCrQFvBjjfflEDWiVEIdE7QpGX6b9hDEuF8Zn6GThBuoP6AoeDx_Qpv-fzu5Z2Y6SRqC2ALvACIRGu9Ke1bvTlt1hKP/s400/Picture30.jpg" t$="true" width="400" /></span><span style="font-size: small;"><em> As seen in Pier Walk, Chicago</em></span></span><br />
<div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">'NUGGETTE'</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";">Maybe e</span><span style="font-family: "Arial Narrow", "sans-serif";">veryone should try and make a mountain, much like in close encounters ….<span style="mso-spacerun: yes;"> </span>This is my mountain: a mirage, illusory and unattainable. After making it I realized that it had many personal and universal references, It is about dreamtime: the original title was ‘mount meru’ the name given to the mythical mountain of Indian Culture, which refers to a place that brings universes together, the universes of mind and body, sky and earth, the spiritual and the material. I thought that ‘Meru’ was too grand of an association in relation to my scale and that this is but a mere Nuggette. </span></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">The work alludes to Ayres Rock and brings to mind the Australian Aboriginal belief in ‘Song Lines’ the act of singing things into existence, an act similar to that of chanting in rhythm with the pumping bellows of a furnace to bring forth new metal.</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"></span><span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYDRLotHu10oUa6Xilj3xZ6-M2CAFmnYhr440xC1VsFBb8aS7vhIRMeqsBVOtlRCkq0wtjylYWAskPPF0VGbAGV_x04URwq0uiKQne34FcWZhNTNam33-HILxNMx8H4RIO-0s99QzTwvr/s400/Picture31.jpg" t$="true" width="400" /> </span><span style="font-size: small;"><em>Also shown at Governors Island, NY</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">The sensual and voluptuous form of the sculpture derives from the creation myth surrounding Aphrodites Rock , the birthplace of the goddess of love on the <place w:st="on"><placetype w:st="on">island</placetype> of <placename w:st="on">Cyprus; a place I have visited and spent time exploring</placename></place>. </span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><span style="font-family: "Arial Narrow", "sans-serif";"></span><span style="color: #eeeeee; font-family: "Arial Narrow", "sans-serif";">I choose forged copper for the construction of this piece as with most of my practice the direction is to simultaneously combine the concepts with the materials, scale and construction methods in complimentary relationship to itself and its environment.</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-size: large;"><country-region w:st="on"><place w:st="on"><span style="color: #eeeeee;"><span style="font-family: "Arial Narrow", "sans-serif";">Cyprus</span></place></country-region><span style="font-family: "Arial Narrow", "sans-serif";"> is synonymous with copper smelting. In Latin copper was known as ‘cyprium’ or ‘metal of <country-region w:st="on"><place w:st="on">Cyprus</place></country-region>.<span style="mso-spacerun: yes;"> </span>Not only was the island bountiful in copper it also had the fuel in the form of wood to smelt it.<span style="mso-spacerun: yes;"> </span>More than twenty thousand pieces of copper slag were unearthed near the fragments of a single copper mine in the mountainside.</span></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"></span><span style="color: #eeeeee;"><span style="font-size: large;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicvw1WudEXZTb8fmn-MxAXcJ-7s_l5u7bDdzs_VB7CXE-EPiu4W9BAUGhzNL_dDQQoJzcN4pbt6X153KzW655Pu9OtKwyAMn0fzzNW3028CcOQeRmg2vY8EdCJ5SvZMUKpCI2_X80xvdDS/s400/Picture32.jpg" t$="true" width="310" /> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglusm5UXh9omVuBQAn2BkORm0XUK8abpMCjrcaEhWv8PU2jZWoFPSelVop2mLxBmftUaEiOLoLkOAOoqeYl7L7baFpDYgn09ZABLcznphIhZnYqJ9W51OxeK0YwDVQF3nI-o3wgVMO5x1J/s1600/Picture33.jpg" t$="true" /> </span><span style="font-size: small;"><em>Appalacian Mountains</em></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><b><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">Shape Shifter 1</span></span></b></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">There is a parallel that can be drawn between the mountain and the furnace as a kind of matrix. In the eyes of many ancient cultures a cave in the side of a mountain was an entrance into a sacred world, to enter into the cave to reap the ores was akin to stealing the unripe fruit of mother nature for it was believed that if it were left there then all would mature to gold. The ores are then taken to the furnace, an apparatus that could speed up the work of nature.</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"></span><span style="color: #eeeeee; font-size: large;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaSZe3GPQFJb7njyS3YsGvwWQ7ausbXPP_4NpVnrdT3mAVql6S6vsod4k-3D4UbvIUaJ-MysnnzoGrnV0FMx8F1g5esirXBydQ8TYa1qz9Om-tDDUdrvc4bHzwPWyz_S4pjUJyjbwunaSL/s400/Picture34.jpg" t$="true" width="400" /> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFpUNnyd4tcMuNH4ZGCsthD5AQLb13L1_U9rkxRuzp_QZSJuEGrn3vPigQqWEU_BEMpNzDDXCdz2Bu5qtNRlvors17zupPg7usVTtx1CcUfH33GrBzSJFGZdtTIsq5eFxPRZTka8c4FhWH/s1600/Picture35.jpg" t$="true" /></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><b><span style="font-family: "Arial Narrow", "sans-serif";"><span style="color: #eeeeee; font-size: large;">Shape Shifter 2</span></span></b></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif"; mso-bidi-font-family: Arial;"><span style="color: #eeeeee; font-size: large;">The ‘Shape Shifter’ series of sculptures deals with ideas of this containment, resonance and metamorphosis, the forms themselves allude to a cracking open, they have an outer shell and an inner world. The spectator can interact and be encompassed by sitting inside.</span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"></div><span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"></span></div><span style="font-size: large;"></span><br />
<div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="font-size: large;"><span style="color: #eeeeee;">The dynamic forces that are evident in nature are difficult to map out but they can be given a chance to manifest and teased out within the making of the piece through working physically, grappling with material and process. Through working directly with melting and casting metal inparticular I can respond to this idea of of transience. A liquid state forming into a solid state with weight and permanence: like wood, metal can be experienced as a living material as it breaths, oxidizes, and grows. The transitory action of molten metal captured in time signifies a metamorphosis. <span style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Batang; mso-fareast-language: KO;">This work in the studio is challenging, sometimes awkward and difficult with spontaneous and uncontrolled results.<span style="mso-spacerun: yes;"> </span>The idea of speeding up the work of nature is historically connected to the story of metal casting and use of fire which I will continue to discuss in future articles.</span></span></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="color: #eeeeee;"><br />
</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: "Arial Narrow", "sans-serif";"><span style="font-family: "Arial Narrow", "sans-serif"; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Batang; mso-fareast-language: KO;"><span style="color: #eeeeee; font-size: large;">Coral Penelope Lambert</span></span></span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br />
</div>Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com2tag:blogger.com,1999:blog-777207645995779270.post-81196234452758998552011-07-19T12:14:00.000-07:002011-07-21T13:00:26.849-07:00IntroductionUtilizing the foundry as a laboratory to explore the union of concept, process and the nature of 'things', my work manifests itself through heat 'n' treat practices such as moulding, melting, casting and fabricating.<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTrXOF8tzRdEkwpJDbsb2GoA3Eowr_JwUyV44bgcFbS5DpZNntJWvJBKnU63f7jauRqiqtt6_ag_lZPLbG2vXUMADgnku5iMBh-WsbgPHiZeNnpChkNEzZK4ay8gf-R9yZzlZVaDhK90a4/s1600/CoralPouringIron.jpg"><img alt="" border="0" height="322" id="BLOGGER_PHOTO_ID_5631157107152791026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTrXOF8tzRdEkwpJDbsb2GoA3Eowr_JwUyV44bgcFbS5DpZNntJWvJBKnU63f7jauRqiqtt6_ag_lZPLbG2vXUMADgnku5iMBh-WsbgPHiZeNnpChkNEzZK4ay8gf-R9yZzlZVaDhK90a4/s400/CoralPouringIron.jpg" style="height: 158px; width: 196px;" width="400" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrS5Gw_5O548P9eHnCeIQTFfFmOHXRUvEPctbdKSz1veiFZT0s1MXl1tns89B9RFL8bHPRsydc4eiUtwu8m_V5bgSvhxWCz5lxZIluGFpfMawd9MauU3t9xQRrOKDGDkmj5Sq2Q-3sjUuV/s1600/DSC02055.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631160010439059106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrS5Gw_5O548P9eHnCeIQTFfFmOHXRUvEPctbdKSz1veiFZT0s1MXl1tns89B9RFL8bHPRsydc4eiUtwu8m_V5bgSvhxWCz5lxZIluGFpfMawd9MauU3t9xQRrOKDGDkmj5Sq2Q-3sjUuV/s200/DSC02055.JPG" style="cursor: hand; height: 158px; width: 200px;" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixUfs8WuCG5rYmSBmBzPmSlDrEDEPRErQBbGOpxLw1QqRuheFffMvM-pm4j7cnZYI76Q8goUNEg_9QouUGg7fn6xbW3_VlFOo4bTp7ulU3hv0mzGARoxen7eejS2n-GtaNExwBrLGhY_Ac/s1600/DSC02039.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631161886042081554" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixUfs8WuCG5rYmSBmBzPmSlDrEDEPRErQBbGOpxLw1QqRuheFffMvM-pm4j7cnZYI76Q8goUNEg_9QouUGg7fn6xbW3_VlFOo4bTp7ulU3hv0mzGARoxen7eejS2n-GtaNExwBrLGhY_Ac/s200/DSC02039.JPG" style="cursor: hand; height: 157px; width: 198px;" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLUveY4xElYktjQh7dIYlzjtKsGITMrIyqF_gVp36DVrqYEtYrSvg_IFtxCK9RES8I1Y_fvIC-CCrO53rbGwfkTz56S1qKEXIkE1cVYF8ZOZ9GxCSv_2-2_Hq3OqN5JBnKY67KhLxBoN2t/s1600/DSC05023.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631172438103879602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLUveY4xElYktjQh7dIYlzjtKsGITMrIyqF_gVp36DVrqYEtYrSvg_IFtxCK9RES8I1Y_fvIC-CCrO53rbGwfkTz56S1qKEXIkE1cVYF8ZOZ9GxCSv_2-2_Hq3OqN5JBnKY67KhLxBoN2t/s200/DSC05023.JPG" style="cursor: hand; height: 158px; width: 133px;" /></a><br />
I regard all materials being in a state of living - in flux, they breath, oxidize, contract and expand. By way of process my work apes and speeds up the work of nature in a somewhat futile but glorious attempt to create something magical. Careening between science and fiction, between reality and myth, the materials and processes oscillate between the tangible and the intangible to be ultimately experienced be the viewer in physical space.<br />
<em><span style="font-size: 85%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirFgyZ5x_VDxrKLzfpMZ_LsR-r69Qi7Mlk09GapqJG-isYqcBTzBUuIcGJxzLB0ToqcmiLYR43mr4ml6kGwy_VyICc_hIU3cRe5jNS2FtOXiF5D8frUtNlygz2BgvlETlGsrtB_CSk056b/s1600/FallenSky2.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631157115463431186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirFgyZ5x_VDxrKLzfpMZ_LsR-r69Qi7Mlk09GapqJG-isYqcBTzBUuIcGJxzLB0ToqcmiLYR43mr4ml6kGwy_VyICc_hIU3cRe5jNS2FtOXiF5D8frUtNlygz2BgvlETlGsrtB_CSk056b/s200/FallenSky2.JPG" style="cursor: hand; height: 200px; width: 150px;" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWxuDncJBy0zAZK4cSIfLiypcgLVKMVvFthEt-p76x38wb2KOLMAbjEAlVN9fze1fbop0PGz43dfFIvGEnpXO4mSKazj4C6Gjqn98Vt0Jryu-cwqQw90sLl3RByLhilSqESBq64NXpaVfP/s1600/DSC03117.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631157127172307058" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWxuDncJBy0zAZK4cSIfLiypcgLVKMVvFthEt-p76x38wb2KOLMAbjEAlVN9fze1fbop0PGz43dfFIvGEnpXO4mSKazj4C6Gjqn98Vt0Jryu-cwqQw90sLl3RByLhilSqESBq64NXpaVfP/s200/DSC03117.JPG" style="cursor: hand; height: 200px; width: 150px;" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg31mrWpY0aCQio1qkKy7mnSCUpUV_llqIV7dWBppzt7VC2LXHPyTzHl-9NPFe9z_DSlM6g9pTZ4Qj9RzV27uTeth5kYdnXBGfOPjLq9BMyUmV5k2uyKq3y7AkTZyznMkA8TLdI5iXkDMyc/s1600/DSC03006.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631163781222143634" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg31mrWpY0aCQio1qkKy7mnSCUpUV_llqIV7dWBppzt7VC2LXHPyTzHl-9NPFe9z_DSlM6g9pTZ4Qj9RzV27uTeth5kYdnXBGfOPjLq9BMyUmV5k2uyKq3y7AkTZyznMkA8TLdI5iXkDMyc/s200/DSC03006.JPG" style="cursor: hand; height: 200px; width: 150px;" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXkGjs-OhtVnYwsTXVcsNfX4BGGREjZ8lslDfSAc1IV51r_m9E0E93QC05yfPGP4X8wmXhAhBnyQlF6UbB0wvcYf-zWsNPs84M7apggZ6NQYvMU59yOU3a8Lajzp2TtdgDl8mhfK6oEN9X/s1600/FallenSky5.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5631164584766131474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXkGjs-OhtVnYwsTXVcsNfX4BGGREjZ8lslDfSAc1IV51r_m9E0E93QC05yfPGP4X8wmXhAhBnyQlF6UbB0wvcYf-zWsNPs84M7apggZ6NQYvMU59yOU3a8Lajzp2TtdgDl8mhfK6oEN9X/s200/FallenSky5.JPG" style="cursor: hand; height: 200px; width: 150px;" /></a></span></em><br />
For example the sculpture 'Fallen Sky' was inspired by my research and fascination in the medieval belief that the sky was made of solid matter, bits of which would occasionally fall off, as we now know through science, these 'bits' are in the form of meteorites : the sculpture celebrates the phenomena and materiality of a mysterious event.<br />
<em><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFAwXhOSh5nCsu2d2saLH-Ws7YUObLOX8_IxgP_jrw2MQ-MMgqGVDVaDJHHiNZVsT_EhPCYUlFpDWzakUanVzuyPh91OQXp153FRA1qKPuevkbtjrEWbAcjtBy_5caVXoVBznx5XhN34-M/s1600/meteor_shower_19thcentury_engraving-7939311.jpg"><span style="font-size: 85%;"><img alt="" border="0" height="200" id="BLOGGER_PHOTO_ID_5631160014186776898" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFAwXhOSh5nCsu2d2saLH-Ws7YUObLOX8_IxgP_jrw2MQ-MMgqGVDVaDJHHiNZVsT_EhPCYUlFpDWzakUanVzuyPh91OQXp153FRA1qKPuevkbtjrEWbAcjtBy_5caVXoVBznx5XhN34-M/s200/meteor_shower_19thcentury_engraving-7939311.jpg" style="height: 200px; width: 180px;" width="180" /></span></a><span style="font-size: 85%;"> <span style="font-size: 85%;"><img alt="" border="0" height="184" id="BLOGGER_PHOTO_ID_5631162503207357298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-m3am3RfmHmElhdtP7KJhT-lH16S3yqTnML0Y9r-ItrGOrzGG-YNFWzBJY1C65sd9KJSJ0ZcG60urc_RPnoSsMgkDAu4iQk5MTpD3MAsxR10CbonJu4yrbZFVfG-4iQyPtZhIFoKvSJp3/s200/black-hole-atjupiter.jpg" style="height: 198px; width: 215px;" width="200" /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKfzI7dC9Sgp5cda4sBNBHijE-ykxcRGZnpP9nikmZuGVIMMzD4gKVPoOrRbMQKzi7xb7W2dqPOJK__LLz3sl8654aIAmYdIv6nwCwkqPxf-5UhStKsWV10Y9sutjdNWMM0uATvz5euJpo/s1600/fireballs.jpg"><img alt="" border="0" height="194" id="BLOGGER_PHOTO_ID_5631165406941628370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKfzI7dC9Sgp5cda4sBNBHijE-ykxcRGZnpP9nikmZuGVIMMzD4gKVPoOrRbMQKzi7xb7W2dqPOJK__LLz3sl8654aIAmYdIv6nwCwkqPxf-5UhStKsWV10Y9sutjdNWMM0uATvz5euJpo/s200/fireballs.jpg" style="height: 200px; width: 206px;" width="200" /></a></span></span></em><br />
<em><span style="font-size: 85%;">19th C engraving of a meteor shower, a recent i</span></em><span style="font-size: 85%;"><em>mage of a 'real' black hole in the rings of jupiter and an alchemical print from the 14th Century. </em></span>Coral Penelope Lamberthttp://www.blogger.com/profile/12459501147781370083noreply@blogger.com1